Tobacco Pipes
The
vast majority of tobacco pipes on 44Hn254 have
been, of course, the English kaolin clay variety in a few shapes
exported to the American colonies in great number during this
period. Excavators unearthed 63 whole bowls and literally hundreds
of broken stems in the cellar / refuse pit alone. To date, one
attempt has been made to apply the Harrington-Binford formula
(so well explained in Ivor Noel Hume’s book, A Guide
to Artifacts of Colonial America) to both the cellar pipestems
and those from squares in the “yard.” (This research
was done in the late 1990s by an Atlee High School student,
Jennifer Sloane, and presented at the Virginia Junior Academy
of Science at the close of that academic year. She won first
place.) The mean date for cellar stems was 1735; that of yard
stems was 1748. Using Harrington’s time-tested formula
for pipe parts in the root pit, the students concluded that
the vast majority (96%) of these stems and bowls fell in the
1710-1750 date range on the chart. Since only a few pipestems
were uncovered in the ash level of the pit’s bottom (and
mostly dated to the 1680-1710 range when the house was first
occupied), we concentrated on the thicker, more trashy level
indicative of the house’s later years and subsequent demise.
Together with a few other clues, such as the absence of certain
English ceramics known to exist on colonial sites by the mid-18th
century, we have concluded that the house burned by about 1750.
The
method of dating the pipes that has become more reliable is
English archaeologist Adrian Oswarld’s 1951 chart of his
extensive study of pipe bowl shapes roughly in the period 1580-1860.
Once again, Noel Hume’s above-mentioned text has this
chart. Using this chart in the refuse-filled cellar and root
pit layers, students quickly concluded that our colonists were
using these features for trash deposit perhaps as early as 1720.
The vast majority of bowl shapes are numbers 16, 17 and 18,
the latter easily being the greatest percentage with a much
smaller percentage of numbers 12, 13 and 14. However, it was
not the bowl shapes that have fascinated the author, but instead,
the presence of several maker’s marks on and under the
bowls. These marks have been found in three different places
on the bowl, and most on bowl style #18, with a smaller percentage
on #15. Mr. Noel Hume describes on pp. 304-305 of his publication
a condensed version of Mr. Oswarld’s findings on methods
of applying maker’s marks by English pipe makers, and
for the most part our pipes fit this description to a tee. By
the late 17th century, pipe makers either stamped their initials
in the back of the bowl or applied them in relief-molded cartouches
on the side of the bowl. We have found both types. The author
owes a debt of gratitude to Bill Pittman of the Colonial Williamsburg
Foundation for identifying these maker’s marks in 1994.
Both Mr. Noel Hume and Mr. Pittman noted that these bowl styles
and maker’s marks strongly suggest Bristol, England, as
their place of origin. A rough chart of these finds is below.
| Mark |
Maker |
Place
of Manufacture |
Dates |
Bowl
Style |
| ER |
Edward Reed |
Bristol or London |
17th–18th c. |
#18 |
| RT |
Robert Tippett |
Bristol |
17th-18th c. |
#18 |
| JJ |
several names |
Bristol or London |
17th-18th c. |
#13, #18
possible |
| HG |
several names |
London(?) |
17th – 18th c. |
#19 possible |
| JC |
several names |
Bristol or London |
17th-18th c. |
#18 possible |
| CH |
Charles Hickes(?) |
Bristol or London |
17th-18th c. |
#18 |
| TH |
Thomas Harvey |
Bristol |
17th-18th c. |
#18 |
| JS |
several names |
Bristol(?) |
17th-18th c. |
#19 possible |
| GP |
no listing with these |
Bristol(?) or London(?) |
17th-18th c.(?) |
cartouche
initials only |
| ?A |
several names |
Bristol(?) or London(?) |
17th-18th c. |
#18
possible |
In addition, several fragmentary
bowls of style #15 or #16 bear the initial W under a crown on
the side of the heel on one side, and a R usually under a harp.
In one sample only do we have the initial M(?) under a crown
on the bottom side of a bowl of style #18. A few more samples
display a shortened version of Robert Tippett’s name inside
a relief-molded cartouche on the side of bowl style #18. This
particular cartouche is always accompanied by the incised letters
RT on the back of the bowl. One additional oddity came out of
the cellar fill—a fragment of heelless bowl bearing an
incised number 8 where the heel should be. Audrey Noel Hume
reports in Five Artifact Studies (vol. 1) of finding one in
cellar hole “B” on the Post Office Site in Colonial
Williamsburg. Our specimen has the exact same hole diameter
of 5/64 inch.
The author would not be stretching
his neck too far to say that the occupants of this household
probably had an agent in Bristol, England, with which they conducted
the business of the day, i.e., tobacco cultivation and eventual
sale in the mother country; this agent, in turn, shopped for
the finer necessities and shipped them back to our colonial
family. And it is with this lucrative activity of tobacco-raising
that the author continues his report.
1
| 2 | 3|
4 | 5
| 6 | 7
Next>>
Top